تجلّيات رموز تراث الخليج العربي في المسرح القطري المعاصر دراسة في مسرحية مساء للموت

Abstract

This study investigates a method to employ the heritage of the Arab Gulf within the period prior oil and the modernism at the contemporary Qatari theatre, through studying the theatre show not the text. It represents a reading of the Qatari theatric scene spaces with its performance arts, folklore dances, and sonography that takes a forming equivalent from the contemporary art approaches with its human and technological techniques, according to a directorial view for an upcoming academic generation who blended the originality of its gulf heritage with the contemporary one. The play of Masa' Lilmawt (Evening to die) of the Qatari director Ali Al Sharshani is considered a model that the scholar sees it as a fertile and fruitful material for critic reading and identifying the nature of artistic and dramatic structure of this academic aspect in the Qatari theatre, which finds in the scientific theories at the theatric direction and actor preparation a foundation to express his critic position with his vision of the world and the human disputes clashes.